Writing Boots

On communication, professional and otherwise.

Tech Maw: Back in the Belly of the Beast (Boy, Does It Look Familiar in Here)

06.11.2025 by David Murray // Leave a Comment

First posted here in May 2023. Newly relevant, as my company yesterday unveiled a new webinar, AI for Speechwriting & Executive Communication. What took us two years? Read on. —DM

***

I wasn’t always terrified of technology. 

Were you?

When I was five, I was the first kid in the neighborhood trusted to run a Lionel electric train by myself. 

Later, I was a star Centipede player at Fred the Framer’s, a Hudson, Ohio picture-frame shop that doubled as a video game arcade. (Old Fred knew which way the wind was blowing.) And I had an Atari 5200!

In college in the late 80s, I used electric typewriters to write my papers. Mine was an electric Smith-Corona and it had a feature that would let you erase whole lines of type if you made a mistake. I didn’t know how it worked, exactly—how did it remember what I’d just typed, so it covered that precise letter in white?—but I wasn’t afraid of it. I don’t need to know everything. (You know what Chicago Bears’ defensive lineman Refrigerator Perry said about the thermos, right? “It keeps hot stuff hot and cold stuff cold. How does it know?”)

The first time I wrote on a computer was at a publishing company where I went to work in the early 1990s—my first job out of college. They had these primitive Macs, whose plastic had yellowed with age to roughly the color of nicotine-stained fingers. But they were pretty good for writing, and they were reliable. Now and then they broke down—you’d turn it on and the little Mac smiley-face would have x’s instead of eyes—and you’d just unplug the thing, and lug it a few blocks to a repair shop, where it would be fixed. Inconvenient, yes. Again, though: No terror involved.

Soon I bought a Mac of my own and installed a graphic design program called PageMaker, which let me lay out my own monthly print newsletter, called The Murray Meaning. That wasn’t the act of a technophobe, and I remember feeling none of the gnawing dread, unpacking my first one or two Macs, that I feel even while downloading an app, today.

What turned me tech-truculent?

It was the fucking Information Superhighway, which was the first term we heard for the Internet. 

What on earth was this? The publisher sent its editors down to the University of Illinois, in Champaign-Urbana—where the World Wide Web (WWW) had actually been invented—to check it out. We drove four hours to see the Internet. But we got mind-murdering drunk at the motel the first night, and comprehended very little of what we saw the next day, as the computer nerds lectured us on the technical aspects of the Web—networks connected with networks, and ones and zeroes flying in formation, something about the Pentagon—and then gave us an hour to explore the Web on our own. I remember spending a lot of time gaping at the website of the Seattle Mariners—the first baseball team that had one.

Soon, we all had email addresses like 1003745@compuserve.com. And instead of thinking about communication and politics and human beings and love, I was trying to figure out what in tarnation was a TCP/IP, let alone how to configure the motherfucker. Remember this soul-searing sound?

Meanwhile, the early adopters of this technology—people in the communication business, who treated it as if it was changing the very natural laws of this work—and writers at Wired and Fast Company magazine, who kept talking about a “new economy” that was somehow untethered to the banalities of supply and demand and the old-school drudgery of food and shelter and physics itself—these people were making a young writer very nervous about his future. 

Because I did not care about all this Internet bullshit. If this tech talk, which sounded to me like small talk, was going to dominate the next 10 or 20 years of public discourse—and if mastering the technology was going to be the only way to keep up with that conversation—I wasn’t going to make it very long. 

I was 26, and I was worried I was about to be made obsolete. And that, I think, is when I started to associate technology with anxiety. As my own publisher put it, on printed brochures to sell workshops on Internet communication: “Don’t be left behind!”

***

Almost 30 years after the Internet changed everything, it’s well to ask: Did anyone who wanted to keep up, get “left behind”?

I didn’t, I guess.

I’ve been writing online constantly since the early aughts. I also learned how to make videos, and I started posting them on YouTube around 2008. Check out the situation at 9:25 in this 2009 video, for instance.

I’ve used those tools, and social media, to talk about communication and politics and human beings and love. I reckon I’ll use these new tools for that, too.

But only to the extent that I must. 

This tech stuff is such a bother. My dad went from having a secretary who took dictation and typed perfect letters, to taking computer courses in order to keep a writing career going, in his early 60s. I admired that, and wonder if I have that level of commitment to learning how to operate ChatGPT.

I remember Dad, dying of cancer at 85, watching a TV commercial and asking me with a bewildered look on his face, “What is GoDaddy?” And my answering to our mutual relief, “It doesn’t matter, Dad. You don’t need to know.”

But you and me? In this world of everyone for themselves and let the robots take the hindmost, I’m afraid we still need to know.

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How Writers Can Beat AI at Its Own Game: By Writing As If It’s Not a Game to You.

06.10.2025 by David Murray // Leave a Comment

Today my company launched AI for Speechwriting and Executive Communication, a webinar that should signal to you that this stuff is in the leadership communication biz to stay.

The question is, what role it will play.

The lead instructor, Brent Kerrigan, is a deeply humane speechwriter who optimistically sees AI as a chance to separate real leaders from pretenders, to “start separating those who actually know what they’re talking about from those just reading AI-generated talking points.”

Okay: Since at least the advent of YouTube, we’ve known that speeches are anachronous rituals that must justify their inherent inefficiency and absurd inconvenience by giving an audience a true sense of communication occasion—an unmistakable communal feeling that only this speaker could have delivered only this message to only this group of people only at this moment in time.

Large language models can’t do that, by definition. They can only regurgitate combinations of noises other speakers have made to other groups of people at other moments in time.

And so using ChatGPT to build in a little front-end efficiency for someone composing a speech is actually a preposterously short-sighted thing to even try to do. When in fact what the speaker and speechwriter must do, in fact, is to show the audience that this speech could never in a million years have been written by artificial intelligence.

Matthew Brophy, a philosophy professor writing for Inside Higher Education, recently got AI to “meet the moment” by writing a passible commencement speech: “I prompted four of today’s most advanced large language models: ChatGPT-4, Claude 3.7 Sonnet, Gemini 2.5 and Llama 4 Maverick. Each generated a full address, filled with advice, encouragement and reflections on what it means to step into the unknown. I then asked ChatGPT-4 to synthesize them into a single speech that expressed a slightly more playful tone.”

Reading the result, one must acknowledge that it reproduces smooth commencement-speech patter with requisite mild humor and banal advice. And of course that’s what most commencement speakers do wind up delivering, in the end. So you might conclude this is as good as any.

No. Precisely because AI is available now, speakers and their speechwriters are going to have to prove that AI didn’t write their speeches. How? By making them so personal—so uniquely about themselves, about the audience, about the moment at hand—that people will know this speech couldn’t have been done by AI. And as AI gets better and better at aping authentic human communication, it will require real human ingenuity to demonstrate incontrovertible humanity at the lectern. But then, incontrovertible humanity is what the best speechwriters have brought to this work all along.

Even workaday speechwriters have been crafting such proofs since time out of mind: most typically, in the form of what we in industry circles call the “howdahell.” Wherein a speaker, usually early in the speech, mentions a local event or place that’s so obscure outside the speech location or the audience’s narrow focus as to force to the audience to say in wonder, “Howdahell did [insert speaker] know about [insert local watering hole, beloved local character, minor local controversy]?” Flattered that Mr. or Ms. Big (or his or her big speechwriter) bothered to learn something about us, the audience settles happily into a contented, receptive haze, the speaker’s work already half done.

In the age of AI, speechwriters are going to have to do a hell of a lot better than that to make audiences feel directly and genuinely addressed by another human being sufficiently to believe the gathering was worth their while, individually and as a collective. I mean, can you imagine taking a few days out of your life to fly to Seattle only to hear some big shot give a speech you suspect was written in two seconds by Claude?

So yes, register for this AI webinar, to learn how AI can help you in various aspects of speechwriting and leadership communication—research, audience analysis, argument-assessment, brainstorming, readability testing, scenario-planning and message planning.

And use the exercise to start to figure out how you’re doing to beat AI at its own game—by remembering with every word you write that for you and your speaker and your audience, this isn’t a game at all.

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Monday Morning Metaphor

06.09.2025 by David Murray // Leave a Comment

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