Writing Boots

On communication, professional and otherwise.

Friday Happy Hour Video: What’s More Slippery than Ice?

10.03.2025 by David Murray // Leave a Comment

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Communication Teams Need Their Writers Back

10.02.2025 by David Murray // 2 Comments

Sometimes I worry that I sound like an old gaffer, complaining about the dearth of real writers in corporate communications these days. This field used to be full of them—and if you couldn’t write well, you couldn’t make it in this business. These days, you can find whole communication departments without one first-class writer. Blah, blah, blah. Who cares?

And then I see a note like this, from the comms chief at a big energy company, on LinkedIn …

Team, on my last day at [XYZ], I want to thank each of you for a great nearly three-year run.

You not only helped me grow as a leader, and I’m especially grateful for the times you helped me course-correct—a true sign of a great team.

I’m proud of the outcomes-focused, data-driven, and audience-centric environment we built together …

… and I miss the days when corporate communications was full of ex-journalists (plus the odd disbarred lawyer, frustrated novelist and failed academic) … who at least, when you told them they were full of shit, did not call it a “course correction.”

And then I start sounding like an old gaffer again. Why am I romanticizing the notion of journalists-cum-communication pros representing some golden age of corporate communication? “Corporate rhetoric,” a speechwriter wrote to me recently, “operates at the level of children speaking to children. I’m way too old to work for those people any more.” Ultimately—wasn’t it always thus?

And along comes my old buddy Steve Crescenzo, with whom I reported on the corporate communication scene in the 1990s when we worked for Ragan Communications covering employee communications as trade journalists. (Or, as the great essayist Calvin Trillin put it back then, when he was invited to speak at our conference and was trying to understand our work, “writing newsletters for people who write newsletters.”)

The other day Steve put on a webinar that takes us back to those relatively heady days. He wanted to remind today’s communicators that there was much to learn from their ancestors from the last generation.

I remember how employee communication was back then. It was mostly employee publications, and a lot of it was crap. Stories full of executives’ platitudes about “challenges and opportunities,” “the only constant is change” and “world class quality.” Pandering employee recognition stories, one of whose headlines I still remember: “Lloyd Lubbers Is Our Kind of Regular Guy.” In the 1990s, editors of employee publications weren’t publishing “babies and bowling scores,” like their predecessors in had—or “cheesecake” pictures of pretty woman employees, like their predecessors had—but there was enough crap that Steve wrote a column called the C.R.A.P. Awards: Corporate Rhetoric Awards Program.

But if the worst stuff back then was worse than the worst stuff Steve and other employee communication watchers see today, the best stuff was better than anything anybody’s doing today. I also remember a cover of a utility’s employee magazine with the headline, “Bad Morale: Whose Fault Is It?” I remember communicators’ opinion columns, and letters-to-the-editor sections, where employees would take management to task—and management paid for the privilege!

And now thanks to Steve, I remember this—one of the best employee newspapers of the time, edited by Bill Boyd, who had left his job as a Seattle radio reporter to make an actual living in employee communications for the Weyerhaeuser timber company. Look how Boyd and his colleagues tackled a subject we’re not even allowed to talk about today—diversity and inclusion—in nineteen fucking ninety seven.

Employee communication is probably more “outcomes-focused” and “data-driven” than it used to be. And maybe “audience-centric” too, whatever that means.

Modern employee communication is also probably more strategically focused—is practitioners more single-mindedly concerned about supporting corporate goals than about doing the culture-building, democratizing things inside an organization that journalism is supposed to do in society.

But I’m goddamned sure it’s not as interesting to cover as it was when it was peopled by folks who knew how to report and to (try to) write and the truth about shit—and still wanted to.

Bill Boyd’s LinkedIn bio says, “Retired but still a journalist at heart. Formerly a radio and TV reporter, press secretary, corporate communications guy, marketer, writer, editor and voice talent … and lover of great writing.”

This business misses him, and everybody like him. Whether it knows it, or not.

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Lonely in My Belief: Trump Is President Because People Can’t Afford to Take Their Kids to Disney World Anymore

10.01.2025 by David Murray // Leave a Comment

It was probably 25 years ago when I heard that you could pay extra at Great America amusement parks for special passes that let you cut the line.

I remember feeling stunned. Really offended. Like a real line had been crossed. I also remember feeling a little lonely in my reaction.

I’m still offended by shit like that. Which means I’m offended a lot. I still feel lonely in my reaction. Which is probably why I’m writing this.

Elites tell one each other that the reason people hate “elites” enough to vote for Donald Trump three times and root him on even now is that we go around explaining to people what “condescending” means.

No, we fucking don’t.

You know what we do, though? Those of us who can afford to, happily buy skip-the-line passes at already overpriced amusement parks, pay monthly mortgage-prices for music concert tickets and almost as much to go to baseball games and other sporting events that many of our fellow Americans can’t afford to even park at.

The thing, is though: Not only were these kinds of events traditionally available to the masses. Their cultural relevance is based on their traditional availability to the masses.

At Cedar Point and Geauga Lake amusement parks as an upper-middle class kid from preppy, Hudson, Ohio, I was kind of amazed at the obesity and sartorial slovenliness of what we Hudsonites snottily called “the general public.” But the general public was there, and we shuffled along behind their flip-flops, in our Tretorn sneakers.

“Everyone is a VIP,” was Disney theme parks’ motto for many decades, before they developed elaborate luxury extras and a Byzantine pricing caste system that The New York Times maddeningly chronicled last month. The result?

A Disney vacation today is “for the top 20 percent of American households—really, if I’m honest, maybe the top 10 percent or 5 percent,” said Len Testa, a computer scientist whose “Unofficial Guide” books and website Touring Plans offer advice on how to manage crowds and minimize waiting in line. “Disney positions itself as the all-American vacation. The irony is that most Americans can’t afford it.”

Do you think working-class Americans are upset that “elites” look down our nose at them? Or are they mad that no matter how hard they work, they can’t afford take their kids to Disney, where their parents took them and their parents took them before that?

Taylor Swift is as close to an American hero as we have. Her “Eras” tour was a cultural celebration for some kids and their parents. And a financial hardship or an insult for others. You know what it cost to see the Rolling Stones in 1969, the year I was born? $8. That’s $70 today. The lowest face-value of a Swift ticket was $250, with good seats far above that.

To me, the most in-your-face insult is baseball. The ticket prices, the beer prices, the food prices, the exclusive restaurants and bars inside the shopping mall-like stadiums—these are constant reminders that “America’s pass time” now costs about a hundred bucks a ballpark hour for a family of four. (Unless it’s an important game, in which case the ticket prices go up dramatically, telling whole swaths of people over and over and over again: If it’s big game, you can’t go.)

People! Sports isn’t supposed to be for elites! (The symphony is, the opera is, the ballet is.) I remember my 60-year-old southern gentleman father, shivering on a cold and narrow bleacher seat in what was not yet called the “dog pound,” in Cleveland Municipal Stadium. A lit marijuana cigarette was passed down our row, and my startled dad took it, politely passed it around my 12-year-old self and handed it to the bearded, drunk Carhartt-clad pipefitter next to me.

That pipefitter’s kid now votes Trump, almost guaranteed. If I were that kid I would too. I’d vote for just about anybody who upsets the sensibilities of the system that made my dad’s Sunday ritual into a special occasion for me, and an out-of-reach luxury for my kid.

Thing is, though—and here’s where my elite condescension comes in—I don’t think Trump voters consciously cop to being enraged for themselves and humiliated for their children, for not being able to afford to go to amusement parks or attend music concerts and sporting events.

In fact, I’m the only person I know of any political stripe who sees rapacious pricing of heretofore commoners’ activities as a fundamental cause of the American sickness. 

Why?

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